Showing posts with label MuMoK. Show all posts
Showing posts with label MuMoK. Show all posts

Sunday, 5 July 2009

StreetArtAttack!

Vienna StreetArt

Here are some nice shots from Vienna, I've made them last week as I was walking through the city centre and the museumsquarter (MQ). I think the MQ is one of the coolest places to be in Vienna because you can chill out, meet new mates, visit the MuMoK, which is the Museum of Modern Arts and there are also some fancy design stores, cocktail bars and bookshops. Although I'm still of the opinion that Vienna isn't really a hotspot of contemporary art or culture, when I go to the MQ, I feel like I would be in a temple of modernArt.
Some pics from the MQ: Space Invaders, ElevatorArt, funny creatures on the wall and something more simple, but decorative. If you are in Vienna and you'd like to see modernArt, you should definitely go to the MQ!

Thursday, 2 July 2009

Cy Twombly visits Vienna

Cy Twombly @ MuMoK

Sensations of the Moment

04/06/09 - 11/10/09



"Flowers II"


The American artist Cy Twombly (born in 1928) is regarded as one of the most influential artists of the 20th century. Starting off from abstract expressionism he developed his own original style using writing-like signs which he exaggerated in size into monumental, large-format canvases. The presentation in the MUMOK—the first in Austria—brings together works from all periods of his oeuvre and presents a new cycle of works specially created for the show. In Twombly’s pictures and sculptures the ancient myths of the Mediterranean world are evoked though it is the incidental and underlying that is the focal point. The alternation between sensitivity and vulgarity, filigree technique and expressivity constitute the enormous tension in the works. The exhibition, presented as a retrospective, brings together genres that, up till now, have generally been shown separately – sculpture, painting, drawing, graphic works and photographs. The works will be presented in such a way that the mutual reflection, influence and enrichment of the individual mediums will become clear and the aesthetic and conceptual guiding principles in Twombly’s art will become visible: the establishment of the colour white, the use of writing, the significance of the principles of collage and the aesthetic means of expression such as the melancholic down flow of heavily pastose pigment. Up till now it has not been widely known that ever since his time at Black Mountain College in the 1950s, Twombly has been continually occupied with photography. In the Vienna exhibition this wealth of photographic works will be integrated into the depiction of Twombly’s work for the first time.